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Cammie
McGovern was awarded a creative writing fellowship at Stanford
University, and has received numerous prizes for her short fiction. Her
stories have appeared in many magazines including Glamour,
Ladies Home Journal, Redbook and Seventeen , and
she is the author of another novel, The Art of Seeing .
She lives in Amherst, Massachusetts with her husband and three
children, the eldest of whom is autistic. She is one of
the founders of Whole Children, a resource center that runs after-school
classes and programs for children with special needs.
(Photo:
Stuart Conway)
About Writing EYE CONTACT
As the mother of three young children, the eldest of whom
is a nine-year-old with autism, I find my reading habits have changed
a lot in recent years. These days I crawl into bed minutes
after my children have shut their eyes and reach past all the classics
in search of any book that will do the near-impossible: keep me
awake, and take me away—something with suspense and a page-turning
story, preferably with a mystery, preferably with a murder.
Perhaps this makes sense when life with an autistic child is
so full of daily mystery and unanswered questions—what is he
thinking? How much does he understand of the world around him
and his parents with their mysterious priorities, pushing him
to talk, to play, to connect with other children and make friends? I
got the idea for Eye Contact when my son was four and had begun
talking a little, repeating phrases—snippets from his favorite
videos and the perfectly accented directions from a Spanish bus
driver—and I began to wonder: What if a child like my
son held a secret and a whole community was hanging on these
words he utters out of nowhere, seemingly without any context
or meaning, using them to piece together information only he
had?
From there, the story expanded into what I hope it is now: a
suspenseful tale interwoven with a portrait of a mother and son
and the extraordinary relationship that I have so often witnessed
between special needs children and their parents, a bond forged
in the painful isolation of an infancy and early childhood when
every door to the future and the real world of typically-developing
children feels closed and all your hours are given over in the
battle to help your child achieve ordinary milestones. I wrote
this book only as I was emerging myself from that cocoon, and
seeing, for the first time, the way having such a son had redefined
me: taught me to celebrate the most modest victories,
to see and count the smallest blessings.
(for more about writing Eye Contact, see “Ghost
in the Machine” in Articles and Essays).
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